Thursday, December 5, 2019

Basic Differences In Perception Of Man Nature free essay sample

Basic Differences In Perception Of Man, Nature And Time In Medieval And Renaissance Literature Essay, Research Paper Basic differences in perceptual experience of adult male, nature and clip in Medieval and Renaissance literature Time of Medieval literature started with the autumn of the Roman imperium in fifth century A.D. People were on the highest degree of brutality, adult male got all what he could, he did non hold ends any longer. This was clip of changeless wars and instability. But universe could non halt develop and in the consequence three analogue manners in literature started to develop at the same clip: 1 ) literature of heathen traditions what largely includes folklore of provincials. They could non compose and read in Latin and Greek jet, so traditions went through the centuries orally and in their used linguistic communication ; 2 ) functionary church and province literature. Christianity was made as a kind of superstructure and about everything were depended on it, besides literature did ; 3 ) feudal or knights? literature. It was written by knights and described their manner of life. The clip of Renaissance started to develop in thirteenth century. It was clip when adult male got across to the civilization of new clip. Man became antifeudal in footing of his head. He became societal, anticlerical, and human. Man started to believe in himself, that he is originative and witting animal in this universe. Literature came back to the values of the ancient times. Man To my head, perceptual experience of adult male in each clip foremost is a hero. He merely differentiates. The hero of Medieval literature was adult male normally born from adult male and some sort of animate being, as in instance with old English epos? Beowulf? , his mane means the boy of bear. He besides was the adult male sent by God to contend with immorality. ? But the Lord wove the webs of fate, gave the Geats success in their battle, aid and support, in such a manner that all were enabled to get the better of their enemy through the strength of one adult male. ? ? Beowulf? The Renaissance new political orientation came with new hero, of class. He was simple adult male as all we are. He lives between us and merely you think is he or non sent by God. He looked like: ? a knight, a reputable adult male, who from the minute that he foremost began Compaining, had cherished the profession Of Weaponries, he besides prized trustiness, Liberality, celebrity, and courteousness. ? Geoffrey Chauser? Canterbury narratives? Of class, the chief undertakings of hero is to protect himself, his household, his state, his state. It is brilliantly shown in Medieval literature because this clip literature contains descriptions of male monarchs, defenders, or weather hearted knights, his battles in conflicts, and their selflessness in province protection: ? Grain ruled the Danes a long clip after his male parent? s decease, and to him Healfdene, fierce in conflict, who regulations until he was old? ? Beowulf? It seems that the simple adult male who was non at least a knight could non be sung the monetary value. At this clip adult male was witting of himself as a member of a race, people, or household? merely through some general class so he had to be something more than a human to be hero. He besides was non afraid of decease, he should hold heroic decease and strong belief of another, grater life after decease. But Renaissance with its hew political orientation brought a new hero. This adult male understood that he should go forth after his decease household, chef-doeuvre, or work but at the same clip he besides understood that he lives a individual clip. ? Men fear decease, as kids fear to travel in the dark: and as that natural fright in kids is increased with narratives, so is the other? said Francis Bacon in his essay? Of Death? . Renaissance in its footing considers that the hero could be everyone even a individual who is non a Christian. Man was one a religious person and recognized himself as such, as strong personality: ? A adult male? s nature runs either to herbs or weeds ; hence let him seasonably H2O the one, and destruct the other? Francis Bacon? Of Nature in Man? Because of strong influence of Catholic church on people in the Medieval clip here could non be stronger love to anyone but God. Man? s love to adult female was non described much in Medieval literature merely because adult female was non considered as human. The Church was non believing that adult female had soul. But anyhow adult female ever was close to her adult male: ? ? .. the baronial Danish queen went to sit beside her Godhead? ? Beowulf? Man of Renaissance came to decision that there is non greater love on the universe than love to adult females. He showed his adore, described her beauty, her influence on his life, etc. Man was non afraid to demo his Delaware epest wants and dreams: ? And I will thee beds of roses, And a 1000 fragrant poises ; A cap of flower, and a kirtle Embroidered all with foliages of Vinca minor? . Christopher Marlowe? The shepherd? s vocal to his love? With this started of new epoch in poesy? love poesy. Such poets as Dante and Petrarca were the first who did it. Their poesy is considered one of the best in the universe up to modern times. Many great ulterior poets learned from them how to demo feelings by agencies of literature. But as I said in Medieval times love to Jesus Christ was on the first topographic point. So most of literature works showed it, besides church literature people described God that their imagined him: ? Then the immature warrior, God mighty stripped Himself, house and unflinching, He dimed upon the cross, brave earlier many, to deliver world? ? The Dream of the Rood? ( The Dream of the Cross ) But fundamentally it was simple retelling of the Bible on ain used linguistic communication. Renaissance alternated a new belief called humanitarianism. That is belief in values of adult male ; in his right to liberate development of ability. This new belief became really popular among world that church said them atheists and started concealed war to them. But thanks to the humanitarianism political orientation adult male did several great finds that originally could non be connected to church tenet. Nature Now we could non conceive of modern literature without descriptions of nature. During perceptual experience of literary work you feel what writer is seeking to state by description of nature, how it interrelates with his feelings. But it is know when we know much about stylistic surveies. Medieval clip literature differs with that there is non much nature descriptions, likely because adult male did cognize how to state and link it with narrative of the hero. But anyway we can happen it: ? the foamy? necked ship? . ? ? . Had gone so far that the mariners saw land, reflecting shore drops and immerse mountains? ? Beowulf? So we see that nature descriptions was really hapless merely said facts about it. Probably it was influence of this clip when people were believing much about their psyche and good helping to God. Renaissance poets, chiefly, started to convey nature into literature as something really near to adult male. They compared it with adult male? s life: spring was the same as young person or falling in love, fall meant old age, etc. There besides appeared simple descriptions of beautiful topographic points non merely in pictures but in literature as well: ? There were hills which garnished their proud tallness with baronial trees ; low vales, whose base estate seemed comforted with the refreshing of Ag rivers ; hayfields, enameled with all kinds of oculus? delighting flowers? Sir Philip Sidney? Description of Arcadia? I think that with epoch of Renaissance adult male got across that nature is such thing he is really closely related to. He understood that everything develops due to something and why it could non be nature? Time Old heroic poem vocals from Medieval literature do non incorporate such thing as saying the clip of go oning. It resembles to fairy narratives because it has the same introductory words: ? Listen: You have heard of the Danish Kings In the old yearss and how They were great warriors? ? Beowulf? or ? One dark, after a beer party? ? ? Beowulf? To my head, people were non numbering old ages yet in Middle ages. The numeration order changed many times and it was more easy to number ages by seasons. I think adult male of Early Middle ages did non believe much about age merely because he believed in immortality. In Renaissance adult male started to pay attending to show. He came to decision that likely there is something after decease but cipher knows what. By populating for present Renaissance adult male understood that clip is traveling on and neer comes back. He started to split it on periods, tag his accomplishments. Time and unrecorded became really connected and of import because adult male should make his undertaking in clip. Two different epochs? two great epochs? Medieval and Renaissance brought new lasting values to mankind. Now we have great possibility to take the best from both of beginnings and by aid of it serve to God and mankind every bit good as it is possible. List of literature: An Anthology of English Medieval and Renaissance Literature: S. Ankrava, I. Pan? ze, 1998, R? tabun The old Anglo-Saxon heroic poem vocal? Beowulf? , Modern English interlingual rendition ? rzemju literat? ras V? sture. Viduslaiki un renesanse: V. ? irmunskis ; 1968, Zvaigzne, R? tabun # 1055 ; # 1088 ; # 1086 ; # 1089 ; # 1090 ; # 1088 ; # 1072 ; # 1085 ; # 1089 ; # 1090 ; # 1074 ; # 1086 ; # 1080 ; # 1074 ; # 1088 ; # 1077 ; # 1084 ; # 1103 ; # 1074 ; # 1083 ; # 1080 ; # 1090 ; # 1077 ; # 1088 ; # 1072 ; # 1090 ; # 1091 ; # 1088 ; # 1077 ; # 1080 ; # 1080 ; # 1089 ; # 1082 ; # 1091 ; # 1089 ; # 1089 ; # 1090 ; # 1074 ; # 1077 ; : 1997, # 1044 ; # 1072 ; # 1091 ; # 1075 ; # 1072 ; # 1074 ; # 1087 ; # 1080 ; # 1083 ; # 1089 ;

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